Chopin Musings
(Ingrid Fliter plays Chopin’s 24 Preludes, Op. 28)
~ I ~
Here, in the moment
when music breaks the air,
the lofty door swings open wide.
Here your approach and arrival
become one, and buoyed
by a strange familiar longing for home,
you cross the worn threshold,
you finish and begin.
~ II ~
And when you look back over your shoulder,
remember that nothing is ever
gained or given without tethers.
Keep faith in earnest
as the hours roll one into the next,
faith when shadows fade.
Keep close what you’ve carried:
coins and costrel, your book of fears.
And if there is dissonance along the way
remember that nothing promises to be simple
on this ineludible procession,
this path of stones.
~ III ~
The silver maple’s samaras
float and spin above the yard,
seed wheels spiraling down
in the brisk morning air.
You’d try to catch them.
You pulled them from your hair.
And when you closed your eyes
to tip your young face to the sun,
you imagined the sprites’ papery wings.
~ IV ~
Unannounced and uninvited,
a visitor from another time and place
joins your table, bends your ear,
returns you to an old sorrow.
And so the hours brim and tip
with stories and rounds,
some remembered,
some dormant and drawn up
as if from a deep well,
while all the while overhead
a fine gauze halo encircles
the moon, signaling change.
~ V ~
Oh, resolute morning,
Rage against my indolence!
Fill my weary heart with song!
For in your glory, I ascend!
~ VI ~
Facing west above the tree line,
a water-colored vista,
the palette a dusky blue and gray,
in the gloaming, a distant owl
marks its territory, the round rhythmic cry
inciting a new trepidation.
Whatever light remains in the east
dissipates now as it slips behind the trees,
your own steps heavy in descent.
~ VII ~
The tilt of her chin is perfectly set
as her skirt oscillates slightly to and fro.
The dance is unembellished, pure.
Her young spine, a straight axis.
Her lilt, both diminutive and grand.
Practice, practice, you whisper,
as you watch the girl keep tempo,
your fingers tapping a slow metronome
as if this steady cadence,
this tapering of time,
were your own, nearing perfection.
~ VIII ~
Nocturne I – Recurrent Dream
Sometimes the dream ends with a plea: Help me.
Sometimes it ends with an admission: I need you.
Other times it ends with the sound of a lamb bleating,
caught in the wire of an abandoned fence,
as the wind blows and the field whites out—
the problem obscured but the need still piercing.
~ IX ~
Nocturne II – Wakeful Orison
Sleep, carry me across these dark waters.
Give me the gift of your shore.
Make me host to your heavy resolve
So that Peace may be my companion, and Peace
My largesse for those who follow.
~ X ~
Nocturne III - Hypnopompic Allegro
All the little beads crest and spill,
(the strand worn thin and breaking),
pearls slip through your fingers
to scatter over the floor’s planks,
as you step warily from your bed.
~ XI ~
And yet the morning light
gently blankets the sloped rooftops,
undaunted by night’s tempest.
~ XII ~
Several swallows
at first, then many
and now a menacing flock,
a plume of smoke.
They whistle and churee
as they muster
over the domed silo,
then begin their wild vanishing,
drawn from the air
into the silo’s cleft,
the swarm waning until
two swallows persist,
diving and circling
in one last bid to test
the depth and breadth
of this darkening sky.
~ XIII ~
And at the very center, the lovely aria,
the singer behind the garden’s parapet,
in a swell of passionate resolve.
And though not quite an affirmation,
the song is hopeful, sublime.
From this great vantage she will recount
all that came before, all that is to come.
How perfectly this moment is captured!—
Just like the wild violets she gathers
to her skirt to press and keep.
~ XIV ~
In the thaw of winter,
the lake’s ice
heaves & splits,
cracks spread their lucent
constellations
under a starless sky.
~ XV ~
Prayer to the Madonna
Beloved Mother,
Our loving Guardian,
Guide us to your eternal Light,
Give us refuge.
When life’s trials assail us,
Grant us your Grace.
Teach us to yield and to discern.
Keep us safe.
Beloved Mother,
Our loving Guardian,
We take solace in your arms.
Oh, great Mother of all things!
~ XVI ~
But the wicked are lost
in a storm-tossed sea
and cannot rest,
as the dark waters churn
casting up a torrent
of dirt and mire.
Their eyes will fail them,
and they will lose their way,
blinded and tumbling
to their earthly fate.
~ XVII ~
In the progeny of a perfect afternoon,
among the blessings and the wine,
the family gathers beneath the arbor,
the musk of wisteria, the rosy sky.
The lovers wed, sentiment stirs,
and you see things as they clearly are
in the full measure of your heart:
All is given, nothing pined for—
but for the elegy of this day.
~ XVIII ~
Love’s madness walks the floor
and there is nothing left to you
But these hollowed rooms,
rife with trappings,
effigies, memories left to bitter.
Beneath love’s deceitful revelry,
one deeply rooted chord of pain
seeps like dark ink.
~ XIX ~
Vespers, After a Storm
Now the breeze is at your back,
the sun returned to its rightful place.
Birds dip across your path
in a flutter of colored pinions.
You suppose a kind of meaning in their song,
meaning in the windswept trees,
as you recall the little arc of your life
replete with lessons and gifts.
Surely there’s something earned in this tenure,
though you can’t seem to name it.
Birdsong in the dappled canopy,
variegated light in the leaves
and still so much eludes you.
~ XX ~
Another doorway, another threshold,
but you are not the same traveler.
With all I have seen,
how is my choices are the same?
Am I resigned? Am I a fool?
If only you could split in two,
(each with the other’s blessing)
then one could seek true valor,
benevolence in a god-inspired city,
and, that being done, the other
could contemplate for hours
the supple articulation of the naked spine
beneath the delicacy of fingertips.
~ XXI ~
Behold the bare white room overlooking the cathedral,
the dome incandescent before the sky’s firmament.
The clouds, a balm.
Lean out to take the view from the glassless frame,
bright azure and gold in the whorl of an iris.
~ XXII ~
Possession reverts again
between warring bloodlines.
Hillsides scorched
in the march of allies,
the march of enemies.
Idols exalted,
the infamous dead,
resurrected now
from their graves of dust.
Who will triumph
in the dawn’s wreckage?
~ XXIII ~
The infant brings a new sensorium,
new fine bones, heart walls and chambers.
She brings the smell of juniper in rain,
as if the spring were utterly new,
the little horseshoe garden, chaste and budding.
She brings this wanting: her open hand
guided in yours, reaches up
to catch the first trill of raindrops.
~ XXIV ~
Thoughts surge like tidal forces—
the wave’s summit, its full collapse—
as you wrestle the divisible nature
of what you hold absolute,
the ephemeral in all you create.
In the darkest hour the towers always fall,
marble pillars topple and burst.
And so the question becomes:
What rises from rubble?
What cities? What walls?
For what is art if not pure reverie
for these flung and gathered stones
we so willfully shape and fuse?